2025

Propaganda

My first demo of 2025 focused on a political theme. It explores propaganda and political power games, where virtually anything becomes acceptable in the pursuit of success. The demo won first place at the t0ad competition. The project was created using Three.js, Blender, glsl and Ableton.

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A Week After the Ninth Moon

This demo explores conception and early human development, loosely blended with a space theme. It won first place at the Experience demoscene competition. The project was created using Three.js, Blender, glsl and Ableton.

2024

The Lucky One

In 2024, I entered a competition with a new demo, which not only won first place but also received another Meteoriks nomination in the Best Direction category. The concept is based on a probability calculation — not meant to be scientifically accurate, but rather to convey the inherent improbability of life itself. The entire narrative is deeply personal and reflects my own story, which I elaborate on in the project’s README. The project was created using Three.js, GLSL, Blender, and Ableton.

2023

Midnight Function

In 2023, at the final edition of the Function demoscene competition, I said goodbye with a “farewell” demo. Its distinctive feature was the use of motion capture technology, incorporating live dance recordings — including performances by myself and my wife. The demo reached fourth place. The project was created using Three.js, GLSL, Blender, live dance footage, and Ableton.

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The Lost Signal

In 2023, I created my demo The Lost Signal. It tells an abstract sci-fi story in which the protagonist lands on a planet after detecting a mysterious “signal.” Visually, the original intention was to evoke the atmosphere of 1970s sci-fi films; however, the final result became an unusual blend of modern and retro-inspired visual elements. The project was created using Three.js, GLSL, Blender, and Ableton.

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Balkans Christmas

Later in 2023, I took part in another competition and achieved second place. The demo reflects the Christmas atmosphere of my childhood and concludes with the people I love — my family. The music is one of my personal favorites among all the soundtracks I have created for my demos. The project was created using Three.js, GLSL, Blender, and Ableton.

2022

Raw

In 2022, I achieved my first victory at the Function demoscene competition. This came after the original winner respectfully offered their position, resulting in my demo being awarded first place (I had originally finished second). The demo was an audiovisual piece opposing the war in Ukraine. Its narrative portrays the final moments of a dying person, told from an unusual and intimate perspective. The work also received a Meteoriks nomination, this time for its audio and music. The project was created using Three.js, GLSL, Ableton, and Blender.

Later on, the music was also featured on a compilation album and appeared on the Blu-ray release of the Hungarian documentary series Vakondok 4.

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The Visitor

In 2022, I also entered the QBParty event, where this demo achieved third place. The subject is one of my favourite films by my favourite director. Nothing extra, not trying to change the world, just made for fun (plus some rehearsal for later demos)

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J4P

Finally, at this year’s Experience demoscene competition, I entered with a more humorous, lo-fi–styled demo and went on to take first place. The piece explores Pluto as a planet and reflects my personal take on its demotion.

2021

1986

In 2021, during the COVID period, I entered the Function demoscene competition with another demo. The concept was inspired by the then-popular Chernobyl TV series. Although I was already familiar with the historical events, the series’ visual and narrative portrayal had a strong impact on me. The demo achieved third place, earning a podium finish. Later, it also received a Meteoriks “demo Oscar” nomination, which it went on to win in the Best Direction category. The project was created using Three.js, GLSL, Blender, and Ableton.

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Der Trabant

Later in 2021, I also entered the Experience demoscene competition, held during the winter season. For this event, I created what is still my favorite demo to date — a fictional Trabant advertisement set in the 1980s. The project was developed using Three.js, GLSL, Blender, and Ableton.

2020

Midnight Express

In 2020, I entered the Hungarian Function demoscene competition with this project. It reached fourth place, and was later nominated for — and ultimately won — the Meteoriks Award in the Best Direction of the Year category. The piece tells the story of an imaginary UFO abduction and was created using Nunu, Three.js, Blender, and Ableton.

Metro Simulator Hungary

Sziget

Szókirakó

Freestyle Football

MSFS Manager

MSFS Manager is a management add-on for Microsoft Flight Simulator 2024 that introduces financial systems and interactive, AI-powered passengers.

Bosszú

Bosszú is a mobile reinterpretation of a classic Commodore 64 adventure game, bringing the atmosphere of old-school text adventures to modern devices.

Dosboxxxx

Dosboxxxx is a DOSBox GUI application for Windows.